Killer BOB

Killer BOB

Frank Silva as Killer BOB
First appearance "Pilot"
Last appearance Fire Walk with Me
Portrayed by Frank Silva
Information
Affiliated with Black and White Lodge

Killer BOB (or simply BOB) is a fictional character in the ABC television series Twin Peaks. He is a demonic entity who feeds on fear and pleasure. He possesses human beings and then commits acts of rape and murder in order to feast upon his victims.

Killer BOB made his first appearance in the pilot episode, "Northwest Passage," where he makes a brief cameo in a vision by Sarah Palmer. The character eventually grew into the series' primary antagonist in the second season. Frank Silva received the role of Killer BOB after a filming error by series creator David Lynch in the pilot. Lynch liked the scene with Silva in the pilot, and decided to make him into a recurring character.

Contents

Character arc

Killer BOB is a demonic entity from the Black Lodge, a realm of pure evil which exists on an alternate plane of reality. He spends most of his time on Earth possessing human beings, although he also travels in the form of an owl. While possessing humans, he commits horrible crimes to elicit pain, fear, and suffering from those around him; these feelings, which Black Lodge residents refer to collectively as garmonbozia, act as a form of nourishment.[1] Physically, garmonbozia takes the shape of creamed corn, which is referenced in the series when Laura Palmer’s best friend Donna takes over Laura’s “meals on wheels” route and accidentally serves the Tremonds creamed corn. In the film Fire Walk With Me, MIKE accuses Laura's father Leland of stealing the corn he had canned “above the store.” Secondly, garmonbozia refers to “pain and suffering.” BOB, and possibly MIKE or other inhabitants of the Lodge, feed on garmonbozia, as it is mentioned by name and/or description throughout the series and movie by Mike, Bob, the Tremonds, and The Man from Another Place.

Dale Cooper first learns of Killer BOB's existence in a vision, in which he encounters another entity named MIKE. In this vision, Cooper learns that BOB was in life a serial killer who raped and murdered young women with MIKE as his accomplice; MIKE eventually repented, removing his left arm in order to be rid of the tattoo that he shared with BOB.[2] At the beginning of the second season, one of BOB's intended victims, Ronnette Pulaski, awakens from a coma induced by her torture at BOB's hands, at which time she identifies BOB as Laura's killer. Cooper and the Twin Peaks Sheriff department canvass the town with wanted posters of BOB, using Andy's sketch; Leland Palmer, Laura's father, identifies the man in the poster as "Robertson", and says that he lived near his grandfather and used to taunt Leland when he was a child.[3]

"When Leland talks about knowing Bob as a child and says this was someone who invited me to play and I invited him in, there's a certain classic type of vampire myth that comes into play when a soul that invites something into it to take part in its life cannot then refuse it anything. That's a myth that goes way back before pre-Christian times and that's one possible explanation... the other is that Leland is just completely whacked out of his mind"

Mark Frost describing Killer BOB's psychic power, from the book Twin Peaks Behind-the-scenes: An Unofficial Visitors Guide to Twin Peaks

It is later revealed that BOB is in fact possessing Leland, and has been possessing him ever since Leland first met him as a child at his grandfather's house. Under BOB's influence, Leland molested, raped, and finally murdered his own daughter. Cooper later determines that BOB is possessing Leland, and tricked him into a trap, in which BOB responds with taunting Cooper before forcing Leland to commit suicide.[4] In his dying breaths, Leland states when he was a child he saw BOB in a dream and invited him inside, before stating that he never knew when BOB was in control of his body. After Leland dies, Cooper engages in a philosophical debate with Sheriff Truman and Albert Rosenfield over how real BOB was, and whether or not BOB was in fact a physical incarnation of Leland's personal demons. Although the men cannot agree on a unifying idea, they do come to the conclusion that BOB is a manifestation of "the evil that men do".[5]

Following Leland's death, BOB takes the form of an owl in the woods outside Twin Peaks, and isn't seen again for a while. In the final episode, Cooper ventures into the Black Lodge to apprehend his former partner, rogue FBI Agent Windom Earle, who is attempting to harness the power of the Lodge for himself. When Earle tries to strike a bargain with Cooper in which Cooper will sell his soul to Earle in exchange for Earle not murdering Cooper's lover, Annie, BOB appears, causing time in the Lodge to reverse to the moment before Cooper agreed to sell his soul. BOB informs Cooper that the Black Lodge is his domain, and thus Earle has trespassed by coming into it and demanding Cooper's soul for himself. As a punishment, BOB kills Earle, taking Earle's soul for himself. Cooper attempts to flee, but BOB traps him in the Lodge, exiting in the form of a doppelganger of Cooper. The series ends with a maniacally laughing BOB examining his new body in a mirror.[6]

Conceptual history

The impetus for the series Twin Peaks was the mystery of who killed Laura Palmer. When production began on the pilot, "Northwest Passage", series creators David Lynch and Mark Frost had decided that the murderer would be revealed as Leland Palmer, Laura's father. During the filming of a scene in the pilot taking place in Laura's room, Frank Silva, a set dresser, accidentally trapped himself in the room by inadvertently moving a dresser in front of the door. When told of the incident, Lynch had an image of Silva stuck in the room and thought it could fit into the series. After filming him crouched at the foot of Laura's bed, looking through the bars of the footboard, as if he were "trapped" behind them, Lynch filmed the scene a second time, without Silva. After reviewing the footage, Lynch liked Silva's presence so much that he decided to make him part of the series.[7]

Later that day, a scene was being filmed in which Palmer's mother experiences a vision which terrifies her; at the time, the script did not indicate what Mrs Palmer had seen to frighten her. Lynch was pleased with how the scene turned out, but a crew member informed him that it would have to be re-shot, because a mirror in the scene had inadvertently picked up someone's reflection. When Lynch asked who it was, the crew member replied that it had been Silva. Lynch considered this a "happy accident," and decided at that point that the unnamed character to be played by Silva would be revealed as Palmer's true killer.[7]

References

  1. ^ "". David Lynch, Writ. David Lynch and Robert Engels. Twin Peaks: Fire Walk with Me. American Broadcasting Company.
  2. ^ "Pilot". David Lynch, Writ. David Lynch and Mark Frost. Twin Peaks. American Broadcasting Company. No. 1, season 1.
  3. ^ "May the Giant Be With You". David Lynch, Writ. David Lynch and Mark Frost. Twin Peaks. American Broadcasting Company. No. 1, season 2.
  4. ^ "Demons". Lesli Linka Glatter, Writ. Harley Peyton and Robert Engels. Twin Peaks. American Broadcasting Company. No. 6, season 2.
  5. ^ "Arbitrary Law". Tim Hunter, Writ. Harley Peyton, Robert Engels and Mark Frost. Twin Peaks. American Broadcasting Company. No. 9, season 2.
  6. ^ "Beyond Life and Death". David Lynch, Writ. Harley Peyton, Robert Engels and Mark Frost. Twin Peaks. American Broadcasting Company. No. 22, season 2.
  7. ^ a b Dunham, Duwayne (2002). Audio Commentary for "Pilot" (DVD). Universal. 

External links